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In occasion of the first Privé Activity, SUNNEI hosted Berlin based duo Anatomie Fleur - composed by Amandine Cheveau and Jean Christian Pullin - who interpreted and transformed the Blue Space located in the basement of SUNNEI Store into an organic landscape. There, members had the chance to live an immersive and exclusive experience with the two artists.
The second activity featured Beatriz Cortešao, a Portuguese harpist. Subverting the traditional notion of a safe area between the artist and her public, the aim was to establish an authentic connection between the two. The Grey room was the stage of a private performance in which the hosts visually indulged in the harmonious harp sounds played by the young musician.
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********* ****, *** ******* **, **** *** ******** ******* **** “*****-******, ******** ** ** ****** ******* ****** ** ************* ** ** **** ****** ******* **** * ****** ** ****** ********, ****** ************”.
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In occasion of the first Privé Activity, SUNNEI hosted Berlin based duo Anatomie Fleur - composed by Amandine Cheveau and Jean Christian Pullin - who interpreted and transformed the Blue Space located in the basement of SUNNEI Store into an organic landscape. There, members had the chance to live an immersive and exclusive experience with the two artists.
The second activity featured Beatriz Cortešao, a Portuguese harpist. Subverting the traditional notion of a safe area between the artist and her public, the aim was to establish an authentic connection between the two. The Grey room was the stage of a private performance in which the hosts visually indulged in the harmonious harp sounds played by the young musician.
*** ********, **** ** **** ********* **** ** ***** ********. ***’* ****** ****** ***’* ******* *** ********, **********, *** ****** **** ****** ** **** ******* ******** ******* **: *** **’* ********* **** *** ** **** ******* **** ****** *** ******’* ***********.
***** *** ****** ***** ** ****, **** ****: * ***** **** ** ********** ***** *****, ** **** ********* ** *** **** **** ******** *** **** ******* * ********* ***. **** *** ***** *** ***** ** ***** ********** **** ******* ****.
**** ***’* *********** *** ********* ** **** ** *** ****** ** **** **, * ***** ********** ********* **** ** ****** **-***** * ******** ***, ******* ********, ****** **** * ****** ****, *** ******.
********* ****, *** ******* **, **** *** ******** ******* **** “*****-******, ******** ** ** ****** ******* ****** ** ************* ** ** **** ****** ******* **** * ****** ** ****** ********, ****** ************”.
** ***** **** **** *** ***** *** ****** ** *** ******** ******, ******* ***** *******, *** *** ***** ** ************ ** *** **** ** *** **********. ***’* ****** ****** ***’* ******* *** ********, **********, *** ****** **** ****** ** **** ******* ******** ******* **.
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